This installment of the Sunday Night Music Club features The Whiskey Sisters performing a soulful rendition of their song "I Take It Back".
When I was in Austin for work early last month, a friend told me to check out this band, who usually plays a happy hour gig every Thursday at the legendary Austin music venue Continental Club.
I was completely awed by the exuberance and showmanship this band displayed, which makes sense because they won the SXSW "Best New Band" award. They are definitely headed to greatness, as exhibited in their album, which I purchased after returning home.
Here's a video of The Whiskey Sisters performing earlier this month at the High Sierra Music Festival.
ConnecticutBob.Com is a modest blog on the internet since 2006. Progressive ideas are encouraged, and all politically-minded and reasonable people are welcome. America is the greatest country in the world, but we'll invade you if you disagree.
Sunday, July 21, 2013
Wednesday, June 26, 2013
Profile in courage

Texas senator Wendy Davis stands up for women's rights during a 13-hour filibuster to defeat a draconian measure to limit access to abortion. Governor Rick Perry finally admitted at 3AM that the bill did not pass.
As far as I know, not a single news network carried the live feed of the dramatic conclusion of this event. Thankfully, several sources put up live streaming on the internet. Anyone who doesn't think network news is a joke might want to rethink their opinions.
Wednesday, June 12, 2013
More on the "Connecticut Film Grant Program"
It's not a real thing yet, it's just what it should be called.
The extinct Connecticut film tax credit was a great idea but poorly executed. I'll use the following example to prove my point:
The film "Righteous Kill" (2008) was shot partially in Connecticut. In fact, the interior bar scenes of that film were shot at the Star bar, about a mile from my home. I visited the set, but didn't get to see some of the stellar cast that included Robert DeNiro and Al Pacino.
I'm not sure if they employed a single person from Connecticut in their crew, and the craft services company was based in New York even though there were many local caterers who would have jumped at the chance to work for a major picture. The film, which was a significant box office flop, received over $12,000,000 from Connecticut.
Yes. Over 12 million dollars!
Now, here's the way that amount of money could have been much better spent:
Create a program that provides 50% of the budget of an indie film shot exclusively in Connecticut, with at least half the employees being local crew. And all the associated services like equipment rental and support services must be given to Connecticut businesses with the right of first refusal. If there's something we can't do, then you can hire someone from out of state.
Limit the budgets under this program to say $200,000 or less per film. When the production manages to raise half their projected budget, the state kicks in with the other half.
So, if someone writes the 2013 equivalent of "Slacker" (1991) or "Clerks" (1994) with a budget of say $90,000, they need to show proof that they raised $45K already, and have agreements with local industry-trained workers (say, probably FITP grads would fill the bill!), and sign a contract to hire Connecticut services and rentals for their picture, ONLY then would the state kick in the other half, $45K in this example, and production will begin.
This works because it takes the money the state would otherwise give to huge out-of-state corporations and gives it to indie filmmakers who will then, by agreement, dump the money DIRECTLY BACK INTO OUR LOCAL ECONOMY!
The $12,000,000 spent on that flop could easily fund anywhere up to 75 or 100 local indie films, especially considering that some incredible films have been produced for well under $80,000. And with the state encouraging local cinemas to show these films, Connecticut has the potential to create a living, thriving, eclectic indie film culture and help our state become a force in the indie world that could rival places like Seattle and Austin.
And this thriving film industry would be a tremendous incentive to keep our college grads here IN Connecticut, where they can add to the economy rather than expatriating to those places that have a more agreeable creative climate. Think how much business it would bring to Connecticut if we could create a festival that would rival South By Southwest?
How can we get a legislator to voice this idea in the capitol? Do any of you folks still read this blog? Please let me know your thoughts.
The extinct Connecticut film tax credit was a great idea but poorly executed. I'll use the following example to prove my point:
The film "Righteous Kill" (2008) was shot partially in Connecticut. In fact, the interior bar scenes of that film were shot at the Star bar, about a mile from my home. I visited the set, but didn't get to see some of the stellar cast that included Robert DeNiro and Al Pacino.
I'm not sure if they employed a single person from Connecticut in their crew, and the craft services company was based in New York even though there were many local caterers who would have jumped at the chance to work for a major picture. The film, which was a significant box office flop, received over $12,000,000 from Connecticut.
Yes. Over 12 million dollars!
Now, here's the way that amount of money could have been much better spent:
Create a program that provides 50% of the budget of an indie film shot exclusively in Connecticut, with at least half the employees being local crew. And all the associated services like equipment rental and support services must be given to Connecticut businesses with the right of first refusal. If there's something we can't do, then you can hire someone from out of state.
Limit the budgets under this program to say $200,000 or less per film. When the production manages to raise half their projected budget, the state kicks in with the other half.
So, if someone writes the 2013 equivalent of "Slacker" (1991) or "Clerks" (1994) with a budget of say $90,000, they need to show proof that they raised $45K already, and have agreements with local industry-trained workers (say, probably FITP grads would fill the bill!), and sign a contract to hire Connecticut services and rentals for their picture, ONLY then would the state kick in the other half, $45K in this example, and production will begin.
This works because it takes the money the state would otherwise give to huge out-of-state corporations and gives it to indie filmmakers who will then, by agreement, dump the money DIRECTLY BACK INTO OUR LOCAL ECONOMY!
The $12,000,000 spent on that flop could easily fund anywhere up to 75 or 100 local indie films, especially considering that some incredible films have been produced for well under $80,000. And with the state encouraging local cinemas to show these films, Connecticut has the potential to create a living, thriving, eclectic indie film culture and help our state become a force in the indie world that could rival places like Seattle and Austin.
And this thriving film industry would be a tremendous incentive to keep our college grads here IN Connecticut, where they can add to the economy rather than expatriating to those places that have a more agreeable creative climate. Think how much business it would bring to Connecticut if we could create a festival that would rival South By Southwest?
How can we get a legislator to voice this idea in the capitol? Do any of you folks still read this blog? Please let me know your thoughts.
The day the movies died
July 1st is the day our wonderful state government has decided to kill the tax credit for film making here in the Nutmeg state.
While there were obvious problems with the program, it appears that rather than attempt to fix those problems, they lost interest and pulled the plug entirely for film projects.
This is what happened, via the Hartford Courant.
Nobody asked me of course, but here's a list of things they could have done to better govern this situation:
1. Address the issue of out-of-state film productions coming here and shooting for 30-60 days with many out-of-state employees, by making it a requirement that they hire at least half their crew from the many graduates of the Film Industry Training Program. And purchase/rent their hardware from in-state businesses
2. Cap the tax credit to something reasonable, like a one-for-each three dollars they spend credit only if they can trace that has gone towards Connecticut businesses and salaries. It doesn't help our state if Steven Spielberg shoots a big budget film here but brings crew like craft services in from Manhattan.
3. Keep the FITP going! It really is a pittance in budgetary terms, but it created interest and skills in a very important demographic to the state: the recent college grads. Connecticut is suffering from a massive brain drain among those interested in film, simply because we don't provide any incentive for them to stay here and explore their art.
4. Create a grant program for small and fully in-state produced films. I can't begin to describe how much it would help Connecticut's indie film community if the state offered grants for people to create and finish films! It would create jobs, keep talent in the state, and generate publicity for Connecticut. How about making it easier for folks to make features with a budget of $50,000 by providing them a grant of 1/3 to 1/2 of their budget? The promise of funds would help them raise money, and by default it would establish an indie film economy. And it would put Connecticut taxpayers to work!
5. How about appointing an official liaison to the indie film community? The reason FITP was unceremoniously snuffed this year is because Governor Malloy combined the department responsible for the program with the Department of Labor. Putting the FITP funds under their control pretty much made it a fait accompli to its demise. They wanted the money for their own programs.
Programs like paying for people to stay OUT OF WORK. Maybe if we knew who the fuck to talk to with suggestions, could we have gotten better legislation?
6. How about holding some public meetings about the program when working people can actually attend? I'd love to be up at the Capitol on a Wednesday afternoon, but sadly I have to earn a living because Connecticut doesn't encourage the indie film community. It would be awesome to have "town hall" style events in the evening when more supporters would be available.
Anyway, the premature death of FITP makes me sad. It seemed so unnecessary and perfunctory. So fucking bureaucratic.
And the repeal of the tax credit for film hurts too. I wish they even gave it a chance for someone to change it into something that would actually work for Connecticut-based indie film.
They should have fucking asked US.
A smart legislator would have suggested that.
While there were obvious problems with the program, it appears that rather than attempt to fix those problems, they lost interest and pulled the plug entirely for film projects.
This is what happened, via the Hartford Courant.
Nobody asked me of course, but here's a list of things they could have done to better govern this situation:
1. Address the issue of out-of-state film productions coming here and shooting for 30-60 days with many out-of-state employees, by making it a requirement that they hire at least half their crew from the many graduates of the Film Industry Training Program. And purchase/rent their hardware from in-state businesses
2. Cap the tax credit to something reasonable, like a one-for-each three dollars they spend credit only if they can trace that has gone towards Connecticut businesses and salaries. It doesn't help our state if Steven Spielberg shoots a big budget film here but brings crew like craft services in from Manhattan.
3. Keep the FITP going! It really is a pittance in budgetary terms, but it created interest and skills in a very important demographic to the state: the recent college grads. Connecticut is suffering from a massive brain drain among those interested in film, simply because we don't provide any incentive for them to stay here and explore their art.
4. Create a grant program for small and fully in-state produced films. I can't begin to describe how much it would help Connecticut's indie film community if the state offered grants for people to create and finish films! It would create jobs, keep talent in the state, and generate publicity for Connecticut. How about making it easier for folks to make features with a budget of $50,000 by providing them a grant of 1/3 to 1/2 of their budget? The promise of funds would help them raise money, and by default it would establish an indie film economy. And it would put Connecticut taxpayers to work!
5. How about appointing an official liaison to the indie film community? The reason FITP was unceremoniously snuffed this year is because Governor Malloy combined the department responsible for the program with the Department of Labor. Putting the FITP funds under their control pretty much made it a fait accompli to its demise. They wanted the money for their own programs.
Programs like paying for people to stay OUT OF WORK. Maybe if we knew who the fuck to talk to with suggestions, could we have gotten better legislation?
6. How about holding some public meetings about the program when working people can actually attend? I'd love to be up at the Capitol on a Wednesday afternoon, but sadly I have to earn a living because Connecticut doesn't encourage the indie film community. It would be awesome to have "town hall" style events in the evening when more supporters would be available.
Anyway, the premature death of FITP makes me sad. It seemed so unnecessary and perfunctory. So fucking bureaucratic.
And the repeal of the tax credit for film hurts too. I wish they even gave it a chance for someone to change it into something that would actually work for Connecticut-based indie film.
They should have fucking asked US.
A smart legislator would have suggested that.
Thursday, May 23, 2013
National vote plan making headway

In an Op-Ed on CT News Junkie, Andrea Levien discusses how there is a plan to make every voter's ballot count in presidential elections.
Simply put, the new system eliminates the Electoral College, and simply makes each citizen's vote count. The final number of popular votes decide the election.
For years I assumed the Electoral system was set up somewhere in the fine print of the Constitution, and would require an exhaustive campaign to convince 3/4 of the states (not to mention 2/3 of both houses of Congress) to amend the law.
But it turns out the Constitution allows states a lot of discretion when it comes to setting up their way of voting for the President.
Luckily, Connecticut lawmakers can pass a law that will make Connecticut voters as relevant in presidential elections as voters in Ohio and Florida. The National Poplar Vote plan is an interstate compact that states join by passing state legislation, committing to having all of their electoral votes be cast by the electors supporting the winner of the national popular vote in all 50 states and the District of Columbia. The compact is only triggered once it has been adopted in states representing a majority of Electoral College votes (270), thereby guaranteeing that the White House to the winner of the national popular vote – and thereby, making every vote in every state matter.So far the law has been approved in states totaling 49% of the 270 votes, so it is already nearly halfway there.
The idea of eliminating "swing states", "battleground states", the massive amounts of money that pour into New Hampshire every four years while Connecticut gets almost nothing, and the fact that we don't have to count on the fucked up system they have in Florida that prevents them even 12 years after the disastrous 2000 election from counting their votes properly, well, it makes me happy.
And the added benefit is that MORE citizens will vote in states that are predominately red or blue, because their votes WILL matter equally with everyone else's.
The details of the plan are at Fairvote.org
Read the entire article over at CT News Junkie, and let me know your thoughts on this plan.
UPDATE: Jason Paul has an opposing Op-ed over at CTNJ worthy of consideration in this matter. Particularly in the case of Florida, who can't seem to get their shit together to count their votes in a timely and accurate fashion. A national vote recount could be an epic nightmare of year 2000 proportions.
Monday, May 20, 2013
Train crash video
This video was recorded by some kids who were skateboarding nearby the wreck. I found the commentary amusing. Not at all annoying.
Can anyone on the video tell me if the train crashed? I think I missed that bit.
Can anyone on the video tell me if the train crashed? I think I missed that bit.
Friday, April 19, 2013
41 Senators will always fuck things up
I'm still shocked and amazed that the Senate voted against the compromise bill to expand background checks for gun purchasing. Basically the message here is "fuck you, America; we know better than 90% of you!"
This bill was such a minor approach to the gun problem that everyone pretty much figured it would sail through the Senate almost unopposed. But 46 total asshole senators decided that their opinion on background checks is more important than simple common sense. Including four Democrats who deserve to be defeated in their next election: Max Baucus of Montana, Mark Begich of Alaska, Heidi Heitkamp of North Dakota and Mark Pryor of Arkansas.
Four Republicans courageously went against their party and voted their conscience: Susan Collins, R-Maine, Mark Kirk, R-Ill., John McCain, R-Ariz., and Pat Toomey, R-Pennsylvania. And of course, our fine Connecticut senators, Dick Blumenthal and Chris Murphy, voted for the bill. Kudos to them and everyone who voted in favor of the bill.

But the decision came down to fear. This is an example of how powerful the NRA lobby is. They can make senators so fearful of getting defeated in their next election that they'll completely go against what their constituents want.
The NRA is a toxic organization that wants to put weapons in every person's hand, regardless of their mental stability or criminal history. They the biggest impediment to ensuring our safety, and they are clearly concerned ONLY with the interests of gun manufacturers.
A majority isn't enough to get a bill passed in the Senate these days. All it takes is 41 assholes to fuck everything up.
And they had 46, with the significant help of those cowardly Democrats.
This is a Tweet I made shortly after the vote. I think it will change some minds if implemented:
This bill was such a minor approach to the gun problem that everyone pretty much figured it would sail through the Senate almost unopposed. But 46 total asshole senators decided that their opinion on background checks is more important than simple common sense. Including four Democrats who deserve to be defeated in their next election: Max Baucus of Montana, Mark Begich of Alaska, Heidi Heitkamp of North Dakota and Mark Pryor of Arkansas.
Four Republicans courageously went against their party and voted their conscience: Susan Collins, R-Maine, Mark Kirk, R-Ill., John McCain, R-Ariz., and Pat Toomey, R-Pennsylvania. And of course, our fine Connecticut senators, Dick Blumenthal and Chris Murphy, voted for the bill. Kudos to them and everyone who voted in favor of the bill.

But the decision came down to fear. This is an example of how powerful the NRA lobby is. They can make senators so fearful of getting defeated in their next election that they'll completely go against what their constituents want.
The NRA is a toxic organization that wants to put weapons in every person's hand, regardless of their mental stability or criminal history. They the biggest impediment to ensuring our safety, and they are clearly concerned ONLY with the interests of gun manufacturers.
A majority isn't enough to get a bill passed in the Senate these days. All it takes is 41 assholes to fuck everything up.
And they had 46, with the significant help of those cowardly Democrats.
This is a Tweet I made shortly after the vote. I think it will change some minds if implemented:
Here's what to do: Every senator should be forced to view police photos of the Newtown massacre before the next vote on gun safety laws.
Wednesday, April 03, 2013
An Act Concerning Gun Violence Prevention And Children's Safety

So, I'm pleased to say this is a good thing.
Full disclosure: I'm a licensed handgun owner. I possess a valid Connecticut State permit to carry handguns (although I never do, unless I'm going to a shooting range or a gun shop) and I enjoy the protections that the Second Amendment provides for me. I enjoy going to a range occasionally and putting holes in a paper target. This is one way that I have fun.
I don't see this new law changing that right in any way.
The State Senate today voted on and approved a bill that will ban certain types of guns and magazines, and control ammunition purchasing.
From the Hartford Courant:
Approval of the bill came at 6:38 p.m. by a 26-10 vote – with two of 22 Democrats and eight of 14 Republicans opposed. The measure was sent to the House, where approval was expected early Thursday. Gov. Dannel P. Malloy says he will sign the bipartisan bill once both legislative chambers approve it.
"This is a new and historic model for the country on an issue that has typically been the most controversial and divisive. We in Connecticut are breaking new ground today," Senate President Pro Tempore Donald Williams, D-Brooklyn, said near the end of the six-hour debate.
Senate Minority Leader John McKinney, R-Fairfield, whose district includes Newtown, said that since the mass killings, "I've been working, as have others … to see what we can do to heal that community — if we can do anything. What we can do to make Connecticut safer? … I'm proud that we've done that."
To hear these words out loud reflects what most of the state's citizens think is a move forward. Our leaders are breaking new ground in the effort to bring some sense to what our forefathers intended when they created our nation.
The State House will likely vote on this bill tomorrow (Thursday) and Governor Malloy has promised to sign it.
When this happens, our state will lead the nation in finally bringing some sanity to the debate about which kind of weapons are allowed to be owned legally. Keeping in mind that the 2nd Amendment was created during a time when there were absolutely NO repeating weapons, and a school massacre by a lone gunman would have necessitated a period of 30 to 60 seconds between each shot when the shooter had to pause to reload his black powder gun.
I wonder how many of those children would be alive today had the Newtown killer not had automatic weapons and 30-shot clips available during his rampage.
Sunday, March 24, 2013
Sunday Night Music Club XXXI
31...
(...fucken Romans, with their stupid non-decimal numbering system...)
Yes, it's time for yet another Sunday Night Music Club installment. This week, it's The Church and their 1988 song "Under the Milky Way".
This song has long been sort of in the background of my consciousness, ever since it received fairly substantial airplay in the late 80s/early 90s. The melody and lyrics evokes in me images of everyday life unfolding under a canopy of nighttime stars. It's one of those songs that just seems to flow seamlessly from beginning to end, and all too soon is over.
The Wikipedia page for this song describes how the haunting instrumental break that sounds much like bagpipes is actually "composed with an EBow on a Fender Jazzmaster, and recorded on a Synclavier..."
Huh. Interesting. The shit you can learn on the internet, right?
Anyway, my fondness for the song grew exponentially when it was used to great effect in the 2001 film "Donnie Darko", which is firmly in my Top 100 list of favorite films.
Someday I'll actually have to put together that list. It'll be a fun project for a theoretical time when I have nothing else pressing for a week or so.
(...fucken Romans, with their stupid non-decimal numbering system...)
Yes, it's time for yet another Sunday Night Music Club installment. This week, it's The Church and their 1988 song "Under the Milky Way".
This song has long been sort of in the background of my consciousness, ever since it received fairly substantial airplay in the late 80s/early 90s. The melody and lyrics evokes in me images of everyday life unfolding under a canopy of nighttime stars. It's one of those songs that just seems to flow seamlessly from beginning to end, and all too soon is over.
The Wikipedia page for this song describes how the haunting instrumental break that sounds much like bagpipes is actually "composed with an EBow on a Fender Jazzmaster, and recorded on a Synclavier..."
Huh. Interesting. The shit you can learn on the internet, right?
Anyway, my fondness for the song grew exponentially when it was used to great effect in the 2001 film "Donnie Darko", which is firmly in my Top 100 list of favorite films.
Someday I'll actually have to put together that list. It'll be a fun project for a theoretical time when I have nothing else pressing for a week or so.
Thursday, March 07, 2013
Is is wrong that I find this amusing?

(click to enlarge, if you want)
I am a big Bill Clinton fan.
Sure, there's a few things he did that I'm not crazy about...
Like repealing Glass–Steagall, which precipitated the gigantic economic upheaval we've been forced to deal with for the last half decade...
Yeah, that kinda sucked.
But still, Clinton was the original rock-star president, and I prefer to think of him as a larger than life action hero sort of guy.
So some creatively insane wacko came up with this pitch-perfect tribute to Big Dog, my favorite past president! Even arch-conservative Stephen Colbert would be pleased by this.
...and you can even buy prints, too!
(I love the alligator with the nuke button strapped to it!)
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